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3193667503410 Third Ave. SE, Cedar Rapids410 Third Avenue SE, Cedar Rapids
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Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-05-20 20:00:00 -0500
5/20/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-05-27 20:00:00 -0500
5/27/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-06-03 20:00:00 -0500
6/03/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-06-10 20:00:00 -0500
6/10/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-06-17 20:00:00 -0500
6/17/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-06-24 20:00:00 -0500
6/24/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-07-01 20:00:00 -0500
7/01/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-07-08 20:00:00 -0500
7/08/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-07-15 20:00:00 -0500
7/15/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-07-22 20:00:00 -0500
7/22/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-07-29 20:00:00 -0500
7/29/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-08-05 20:00:00 -0500
8/05/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-08-12 20:00:00 -0500
8/12/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p><span itemprop="description">Grant Wood’s American Gothic is probably the world’s most parodied American painting, second only to Leonardo’s Mona Lisa. The fact that thousands of parodies of American Gothic exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</span> </p> 2021-08-19 20:00:00 -0500
8/19/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Welcome Club Book Group
<p>The Welcome Club of Greater Cedar Rapids area Book Group invites you to join them to discuss "Murder at the Book Club" by Betsy Reavley. The book is “a good old Whodunnit that will keep readers guessing till the very end!” All are welcome to attend the virtual discussion. For more information, email the club at wwc_cr@yahoo.com or go to www.welcomeclubcr.com</p> 2021-05-03 11:00:00 -05005/21/2110:00 a.m.Welcome Club of Greater Cedar RapidsCedar Rapids -
Grant Wood Revealed: Rarely Seen Works by an American Master
<p><span itemprop="description">Launching the CRMA's year-long celebration of the 175th anniversary of Iowa's statehood will be an unusual look at Iowa’s most famous artist, Grant Wood. While known for his iconic American Gothic (Art Institute of Chicago) and other Regionalist works from his mature style, Grant Wood was constantly exploring styles, techniques, and media. This exhibition will bring together works from both the CRMA collection as well as from private collections to celebrate Wood’s inquisitive mind. Rarely-seen paintings will be joined by diverse metalwork pieces, drawings, and studies to construct a fuller view of Wood’s genius.</span></p> 2021-04-27 16:00:00 -0500
5/18/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-18 16:00:00 -0500
5/18/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-19 16:00:00 -0500
5/19/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-20 20:00:00 -0500
5/20/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-21 16:00:00 -0500
5/21/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-22 16:00:00 -0500
5/22/2110:00 a.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-23 16:00:00 -0500
5/23/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-25 16:00:00 -0500
5/25/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-26 16:00:00 -0500
5/26/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-27 20:00:00 -0500
5/27/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-28 16:00:00 -0500
5/28/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-29 16:00:00 -0500
5/29/2110:00 a.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-05-30 16:00:00 -0500
5/30/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-06-01 16:00:00 -0500
6/01/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-06-02 16:00:00 -0500
6/02/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids