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401 Main Street , Dysart(319) 277-61112603 Orchard Drive , Cedar Falls
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Celebration of Freedom Fireworks
<p>Come downtown Cedar Rapids for the Freedom Festival's Celebration of Freedom! Please celebrate with us in the heart of our city. Don't forget to stop by the McGrath Amphitheatre and enjoy the Freedom Festival concert for FREE--with your Freedom Festival button!<br><br>The 4th of July is what the whole Festival is based around. We have an immense amount of pride for this country. With that in mind, we set out to make sure we could get the very best fireworks show possible.</p><p>The Freedom Festival has grown to offer the Corridor the largest fireworks display in Iowa on the 4th of July! Sit back and enjoy music for all ages, while we put on the show of the year. The fireworks show will start at approximately 9:45pm.</p><p>*Due to construction on the 3rd Avenue Bridge, the Celebration of Freedom will be held on the 2nd Avenue Bridge only*</p><p>Thank you to J&M Displays, Inc. for choreographing this show!<br><br>We will be offering activities on the 2nd Avenue bridge. A Freedom Festival button is REQUIRED for access to the bridge. </p><p>Buttons are $5 and can be purchased at Hy-Vee's, Casey's, and the U.S. Cellular Center Box Office or at the entrance gates. Children 8 and under do not require a button. **Cash only for button purchase at the gates**<br><br>Activities on the bridges include: Face Painting, Balloon Artist, lots of delicious food and beverages, music, Bungee Trampolines, Inflatable Zone for all ages, and so much more!</p> 2020-02-24 22:00:00 -0600
7/04/205:00 p.m.DowntownCedar Rapids -
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Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p><p><br></p> 2020-06-04 20:00:00 -0500
6/04/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p><p><br></p> 2020-06-05 16:00:00 -0500
6/05/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p> 2020-06-06 16:00:00 -0500
6/06/2010:00 a.m.Cedar Rapids Museum of ArtCedar Rapids -
Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p><p><br></p> 2020-06-07 16:00:00 -0500
6/07/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2019-08-26 16:00:00 -0500
10/25/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-27 16:00:00 -0500
10/27/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-28 16:00:00 -0500
10/28/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-30 16:00:00 -0500
10/30/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-01 16:00:00 -0600
11/01/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-03 16:00:00 -0600
11/03/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-04 16:00:00 -0600
11/04/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-06 16:00:00 -0600
11/06/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-08 16:00:00 -0600
11/08/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-10 16:00:00 -0600
11/10/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-11 16:00:00 -0600
11/11/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-13 16:00:00 -0600
11/13/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-15 16:00:00 -0600
11/15/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-17 16:00:00 -0600
11/17/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-18 16:00:00 -0600
11/18/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-20 16:00:00 -0600
11/20/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-22 16:00:00 -0600
11/22/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-24 16:00:00 -0600
11/24/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-25 16:00:00 -0600
11/25/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-27 16:00:00 -0600
11/27/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-29 16:00:00 -0600
11/29/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-12-01 16:00:00 -0600
12/01/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-12-02 16:00:00 -0600
12/02/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-12-04 16:00:00 -0600
12/04/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-12-06 16:00:00 -0600
12/06/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids