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401 Main Street , Dysart(319) 277-61112603 Orchard Drive , Cedar Falls
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Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-09-26 16:00:00 -0500
9/26/2010:00 a.m.Cedar Rapids Museum of ArtCedar Rapids -
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Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-09-27 16:00:00 -0500
9/27/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-09-29 16:00:00 -0500
9/29/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-09-30 16:00:00 -0500
9/30/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-01 20:00:00 -0500
10/01/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-02 16:00:00 -0500
10/02/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-03 16:00:00 -0500
10/03/2010:00 a.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-04 16:00:00 -0500
10/04/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-06 16:00:00 -0500
10/06/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-07 16:00:00 -0500
10/07/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-08 20:00:00 -0500
10/08/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Seriously Funny: American Gothic Parodies
<p>Grant Wood’s <em>American Gothic</em> is probably the world’s most parodied American painting, second only to Leonardo’s <em>Mona Lisa</em>. The fact that thousands of parodies of <em>American Gothic</em> exist, dating back several decades, speaks to the enduring inspiration of one of America’s greatest works of art. This exhibition—a first for the Cedar Rapids Museum of Art—will look at many of these parodies—some in the flesh on the gallery’s walls and many others digitally projected in an attempt to share the incredible reach of this iconic painting. From Bill and Hillary Clinton to Leonardo and Mona Lisa to RuPaul as male and female, these parodies speak to how this one painting serves as the basis for looking at various contemporary people and issues. Wood’s impactful 1930 painting continues to inspire “artists” of all ages and skills in a playful and humorous way that Wood would no doubt have applauded.</p> 2020-10-09 16:00:00 -0500
10/09/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-27 16:00:00 -0500
10/27/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-28 16:00:00 -0500
10/28/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-30 16:00:00 -0500
10/30/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-01 16:00:00 -0600
11/01/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-03 16:00:00 -0600
11/03/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-04 16:00:00 -0600
11/04/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-06 16:00:00 -0600
11/06/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-08 16:00:00 -0600
11/08/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-10 16:00:00 -0600
11/10/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-11 16:00:00 -0600
11/11/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-13 16:00:00 -0600
11/13/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-15 16:00:00 -0600
11/15/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-17 16:00:00 -0600
11/17/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-18 16:00:00 -0600
11/18/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-20 16:00:00 -0600
11/20/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-22 16:00:00 -0600
11/22/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-24 16:00:00 -0600
11/24/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-25 16:00:00 -0600
11/25/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids