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Browse through hundreds of events in Cedar Rapids, Iowa City, and the rest of Eastern Iowa
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401 Main Street , Dysart(319) 277-61112603 Orchard Drive , Cedar Falls
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Rockin' Reptiles
<p>A combination of rock art and reptiles! Let’s create some fun designs or creatures out of rocks and paint pens, then meet some real life retiles up-close. For ages 5 and up. Cost: $10 per child. Register online by July 13.</p> 2020-06-29 11:30:00 -0500
7/16/2010:00 a.m.Wickiup Hill Learning CenterToddville -
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Pollinator Picasso
<p>It’s time for the kids to reach out to their inner artist. During this fun and informative program, kids will create a painting of a pollinator scene on canvas to take home. Be inspired before we paint with a hike through the prairie and woods. There might even “bee” a few special visitors! Ages 5-7. Cost: $8. Register online by July 17. </p> 2020-06-30 11:30:00 -05007/21/2010:00 a.m.Wickiup Hill Learning CenterToddville -
Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p><p><br></p> 2020-07-09 20:00:00 -0500
7/09/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p><p><br></p> 2020-07-10 16:00:00 -0500
7/10/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p> 2020-07-11 16:00:00 -0500
7/11/2010:00 a.m.Cedar Rapids Museum of ArtCedar Rapids -
Mary Zeran: 10 Years
<p>In 2020, local artist Mary Zeran will have been working as a profession artist for 10 years. Given the CRMA’s rich history of presenting the art of local artists—especially when they’ve achieved a certain milestone or completed a specific new body of work—the idea of displaying a 10-year retrospective of Zeran’s work during the CRMA’s 125<sup>th</sup> anniversary year seems fitting. One of the very few local artists to have spent her entire painting career working in abstraction, Zeran’s work will challenge viewers to see her subtle but significant evolution over the course of the past 10 years. Constantly exploring, Zeran has crafted different methods of mark-making to accompany her evolution in palette and scale. The exhibition will not only trace the trajectory of her career, it will also include a site-specific installation created especially for this exhibition.</p><p><br></p> 2020-07-12 16:00:00 -0500
7/12/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2019-08-26 16:00:00 -0500
10/25/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-27 16:00:00 -0500
10/27/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-28 16:00:00 -0500
10/28/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-10-30 16:00:00 -0500
10/30/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-01 16:00:00 -0600
11/01/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-03 16:00:00 -0600
11/03/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-04 16:00:00 -0600
11/04/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-06 16:00:00 -0600
11/06/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-08 16:00:00 -0600
11/08/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-10 16:00:00 -0600
11/10/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-11 16:00:00 -0600
11/11/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-13 16:00:00 -0600
11/13/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-15 16:00:00 -0600
11/15/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-17 16:00:00 -0600
11/17/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-18 16:00:00 -0600
11/18/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-20 16:00:00 -0600
11/20/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-22 16:00:00 -0600
11/22/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-24 16:00:00 -0600
11/24/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
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Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-25 16:00:00 -0600
11/25/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-27 16:00:00 -0600
11/27/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-11-29 16:00:00 -0600
11/29/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-12-01 16:00:00 -0600
12/01/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-12-02 16:00:00 -0600
12/02/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone’s 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist was not to continue painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development as artists. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2020-12-04 16:00:00 -0600
12/04/2012:00 p.m.Cedar Rapids Museum of ArtCedar Rapids