What is Arts and Culture?
Check out with the Corridor’s arts, theater, literature and cultural events. Everything from cinema and dance to museum and exhibits are available under the Arts and Culture grouping.
Displaying
30
of
339
Arts and Culture
events in Eastern Iowa
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Prairiewoods Knitters & Stitchers
<p>Calling all knitters and stitchers … practice your hobby in the company of new friends! All who enjoy knitting or crocheting (or want to learn) are invited to join us via Zoom for a fun, free hour of crafting and conversation with Prairiewoods friends. Join using the Zoom link https://us02web.zoom.us/j/81579283216?pwd=UUFMd1h2UjFXVHBJKzlKSlcyQjdVUT09. If prompted, enter meeting ID 815 7928 3216 and password 088470. (You can also dial by phone by calling 1-312-626-6799.) We hope you’ll grab your needles and join us for this fun morning! For more information, contact Prairiewoods at www.Prairiewoods.org or 319-395-6700.</p> 2021-02-08 10:30:00 -0600
4/13/219:30 a.m.Prairiewoods Franciscan Spirituality CenterHiawatha -
Art Exhibit: Polyphonous 2021-Mimetic Lives II
<p>Gilded Pear Gallery is thrilled to present an inaugural concurrent exhibition, <em>Polyphonous 2021: Mimetic Lives II</em>, a 2-person display of new jewelry works by local artists, Satomi Kawai and Jillian Moore.</p><p>The collective, Polyphonous, was founded by Professor Jivan Astfalck, Rachel Darbourne and Laura Bradshaw-Heap, loosely grouped through connections at the School of Jewellery in Birmingham, England, but members are from multiple countries- including U.S. based artists Satomi Kawai and Jillian Moore. Established in 2018, Polyphonous was formed in collaboration with Studio Gabi Green in Munich’s West End with the intent to drive visitors to a localized hive during Munich Jewellery Week; one of many prominent features of the program. Both in the wake and the midst of the COVID-19 pandemic, 2021 has offered the opportunity to safely connect with the most renowned European jewellery event from across the globe, online, and in print with Current Obsession. Artists and venues throughout the world unravel the dilemma to present significant and innovative displays of work in the field of contemporary jewelry at mass scale. This exhibition effectively serves as an in-person experience for the residents of the American Midwest and links virtually to other physical and virtual celebrations around the world.</p><p>In 2006, Kawai and Moore exhibited “Mimetic of Life”, a display of graduate work from the University of Iowa’s Fine Arts program. That show, unknowingly, initiated a long-standing partnership of presenting work together. This marks a 15th anniversary for the two, in a way, and reunites them in an exclusively shared exhibition for the first time in more than a decade. “Mimetic Lives II” portrays the artists’ unique parallels in jewelry fashion form: earrings, brooches, rings and the like. Mimesis (meaning to mimic or imitate), is a perfect one-word summary of their creative inspirations and helps define the conversation between their work over the years. The individual lines of work stand alone with clear material polarity. They however borrow certain motifs inherent to their abstracted ideations rooted in biology and natural elements.</p><p>Through our own physical reflection, we are presented with a flipped perspective on a familiar and known image. This type of mirroring can be observed in the paired styles of the artists’ works: glossy, amorphous, and prismatic; matte, achromatic, and structured. The same characteristics however remain integral and constant: repetitive pattern, arduous detail, and the uncanny attraction to something that looks memorable. Each artist pulls from natural wonders in our world to fabricate a small token for adornment.</p><p><br></p><p><br></p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/13/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
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Art Exhibit: Rhythm in Bloom
<p>Gilded Pear Gallery is delighted to present <em>Rhythm in Bloom</em>, a solo exhibition of recent abstract artworks by beloved Cedar Rapids artist, Ann Royer.</p><p><br></p><p>Ann Royer is a multidisciplinary artist with more than 60 years of artmaking experience. Among her wide repertoire, Royer’s abstracts are best known for growing tendril lines, sweeping bold blocks of color, voluminous shapes filled with patterns, and sharp geometry. She says of her work, “I have always thought each person looks at art bringing with them their own experiences, which governs what they see.” Although, her inspirations do not directly link to instrumentation, <em>Rhythm in Bloom</em> is a curated collection of artworks that evokes parallels to music and pay homage to spring growth. </p><p><br></p><p>Royer’s studio is filled with the sound of symphony; more often than not, the classical radio station is playing. Intertwined is the experience of viewing the artworks and listening to the harmony surrounding them. They are inseparable in that moment, and it is difficult not to ‘see’ the music after its life begins in a gallery setting.</p><p><br></p><p>While some compositions feel like compression or expansion of a staff of notes, others appear to visually represent free jazz. It’s fun to imagine melodic monochromatics and tapered stripes acting as staccato, creating space for a key change from warm to cool. The violin plays the tendril lines, the brass section punctuates with bold blocks of color. These energetic forms incidentally create shapes that blossom with the appearance of dancing. All the pieces themselves exude a spring-like aura of new growth with luminous colors. Artworks presented in this exhibition are paintings on canvas as well as sculptures in bronze.</p><p><br></p><p><br></p><p>Gilded Pear Gallery is located at 808 Third Avenue SE, Cedar Rapids, IA 52403. For hours and more information visit <a href="http://www.gildedpeargallery.com">http://www.gildedpeargallery.com</a>–or- call: 319-366-0205</p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/13/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-04-13 16:00:00 -0500
4/13/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Grant Wood Revealed: Rarely Seen Works by an American Master
<p>Launching the CRMA's year-long celebration of the 175th anniversary of Iowa's statehood will be an unusual look at Iowa’s most famous artist, Grant Wood. While known for his iconic American Gothic (Art Institute of Chicago) and other Regionalist works from his mature style, Grant Wood was constantly exploring styles, techniques, and media. This exhibition will bring together works from both the CRMA collection as well as from private collections to celebrate Wood’s inquisitive mind. Rarely-seen paintings will be joined by diverse metalwork pieces, drawings, and studies to construct a fuller view of Wood’s genius.</p> 2021-04-13 16:00:00 -0500
4/13/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Art Exhibit: Polyphonous 2021-Mimetic Lives II
<p>Gilded Pear Gallery is thrilled to present an inaugural concurrent exhibition, <em>Polyphonous 2021: Mimetic Lives II</em>, a 2-person display of new jewelry works by local artists, Satomi Kawai and Jillian Moore.</p><p>The collective, Polyphonous, was founded by Professor Jivan Astfalck, Rachel Darbourne and Laura Bradshaw-Heap, loosely grouped through connections at the School of Jewellery in Birmingham, England, but members are from multiple countries- including U.S. based artists Satomi Kawai and Jillian Moore. Established in 2018, Polyphonous was formed in collaboration with Studio Gabi Green in Munich’s West End with the intent to drive visitors to a localized hive during Munich Jewellery Week; one of many prominent features of the program. Both in the wake and the midst of the COVID-19 pandemic, 2021 has offered the opportunity to safely connect with the most renowned European jewellery event from across the globe, online, and in print with Current Obsession. Artists and venues throughout the world unravel the dilemma to present significant and innovative displays of work in the field of contemporary jewelry at mass scale. This exhibition effectively serves as an in-person experience for the residents of the American Midwest and links virtually to other physical and virtual celebrations around the world.</p><p>In 2006, Kawai and Moore exhibited “Mimetic of Life”, a display of graduate work from the University of Iowa’s Fine Arts program. That show, unknowingly, initiated a long-standing partnership of presenting work together. This marks a 15th anniversary for the two, in a way, and reunites them in an exclusively shared exhibition for the first time in more than a decade. “Mimetic Lives II” portrays the artists’ unique parallels in jewelry fashion form: earrings, brooches, rings and the like. Mimesis (meaning to mimic or imitate), is a perfect one-word summary of their creative inspirations and helps define the conversation between their work over the years. The individual lines of work stand alone with clear material polarity. They however borrow certain motifs inherent to their abstracted ideations rooted in biology and natural elements.</p><p>Through our own physical reflection, we are presented with a flipped perspective on a familiar and known image. This type of mirroring can be observed in the paired styles of the artists’ works: glossy, amorphous, and prismatic; matte, achromatic, and structured. The same characteristics however remain integral and constant: repetitive pattern, arduous detail, and the uncanny attraction to something that looks memorable. Each artist pulls from natural wonders in our world to fabricate a small token for adornment.</p><p><br></p><p><br></p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/14/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Art Exhibit: Rhythm in Bloom
<p>Gilded Pear Gallery is delighted to present <em>Rhythm in Bloom</em>, a solo exhibition of recent abstract artworks by beloved Cedar Rapids artist, Ann Royer.</p><p><br></p><p>Ann Royer is a multidisciplinary artist with more than 60 years of artmaking experience. Among her wide repertoire, Royer’s abstracts are best known for growing tendril lines, sweeping bold blocks of color, voluminous shapes filled with patterns, and sharp geometry. She says of her work, “I have always thought each person looks at art bringing with them their own experiences, which governs what they see.” Although, her inspirations do not directly link to instrumentation, <em>Rhythm in Bloom</em> is a curated collection of artworks that evokes parallels to music and pay homage to spring growth. </p><p><br></p><p>Royer’s studio is filled with the sound of symphony; more often than not, the classical radio station is playing. Intertwined is the experience of viewing the artworks and listening to the harmony surrounding them. They are inseparable in that moment, and it is difficult not to ‘see’ the music after its life begins in a gallery setting.</p><p><br></p><p>While some compositions feel like compression or expansion of a staff of notes, others appear to visually represent free jazz. It’s fun to imagine melodic monochromatics and tapered stripes acting as staccato, creating space for a key change from warm to cool. The violin plays the tendril lines, the brass section punctuates with bold blocks of color. These energetic forms incidentally create shapes that blossom with the appearance of dancing. All the pieces themselves exude a spring-like aura of new growth with luminous colors. Artworks presented in this exhibition are paintings on canvas as well as sculptures in bronze.</p><p><br></p><p><br></p><p>Gilded Pear Gallery is located at 808 Third Avenue SE, Cedar Rapids, IA 52403. For hours and more information visit <a href="http://www.gildedpeargallery.com">http://www.gildedpeargallery.com</a>–or- call: 319-366-0205</p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/14/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Braiding Sweetgrass Virtual Book Discussion
<p>Join us for a virtual book club discussion of Braiding Sweetgrass by Robin Wall Kimmerer. Each week we will be discussion a different section of the book.</p><p>Wednesday, April 7- Part 1: Planting Sweetgrass<br>Wednesday, April 14 - Part 2: Tending Sweetgrass<br>Wednesday, April 21 - Part 3: Picking Sweetgrass<br>Wednesday, April 28 - Part 4: Braiding Sweetgrass and Part 5: Burning Sweetgrass</p><p>While these events are free, we ask that anyone wishing to participate register so we can ensure we have enough discussion leaders.</p><p>This event is sponsored by Swamp Fox Bookstore, the Marion Public Library and Marion Parks & Recreation to foster a discussion about our connection to nature and how we can restore our community after last year's devastating derecho.</p><p>You can check out copies of Braiding Sweetgrass from the Marion Public Library or purchase a copy of the book (both hardcover and paperbacks available) from Swamp Fox Bookstore.</p> 2021-04-14 13:00:00 -0500
4/14/2112:00 p.m.Swamp Fox BookstoreMarion -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-04-14 16:00:00 -0500
4/14/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Grant Wood Revealed: Rarely Seen Works by an American Master
<p>Launching the CRMA's year-long celebration of the 175th anniversary of Iowa's statehood will be an unusual look at Iowa’s most famous artist, Grant Wood. While known for his iconic American Gothic (Art Institute of Chicago) and other Regionalist works from his mature style, Grant Wood was constantly exploring styles, techniques, and media. This exhibition will bring together works from both the CRMA collection as well as from private collections to celebrate Wood’s inquisitive mind. Rarely-seen paintings will be joined by diverse metalwork pieces, drawings, and studies to construct a fuller view of Wood’s genius.</p> 2021-04-14 16:00:00 -0500
4/14/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Art Exhibit: Polyphonous 2021-Mimetic Lives II
<p>Gilded Pear Gallery is thrilled to present an inaugural concurrent exhibition, <em>Polyphonous 2021: Mimetic Lives II</em>, a 2-person display of new jewelry works by local artists, Satomi Kawai and Jillian Moore.</p><p>The collective, Polyphonous, was founded by Professor Jivan Astfalck, Rachel Darbourne and Laura Bradshaw-Heap, loosely grouped through connections at the School of Jewellery in Birmingham, England, but members are from multiple countries- including U.S. based artists Satomi Kawai and Jillian Moore. Established in 2018, Polyphonous was formed in collaboration with Studio Gabi Green in Munich’s West End with the intent to drive visitors to a localized hive during Munich Jewellery Week; one of many prominent features of the program. Both in the wake and the midst of the COVID-19 pandemic, 2021 has offered the opportunity to safely connect with the most renowned European jewellery event from across the globe, online, and in print with Current Obsession. Artists and venues throughout the world unravel the dilemma to present significant and innovative displays of work in the field of contemporary jewelry at mass scale. This exhibition effectively serves as an in-person experience for the residents of the American Midwest and links virtually to other physical and virtual celebrations around the world.</p><p>In 2006, Kawai and Moore exhibited “Mimetic of Life”, a display of graduate work from the University of Iowa’s Fine Arts program. That show, unknowingly, initiated a long-standing partnership of presenting work together. This marks a 15th anniversary for the two, in a way, and reunites them in an exclusively shared exhibition for the first time in more than a decade. “Mimetic Lives II” portrays the artists’ unique parallels in jewelry fashion form: earrings, brooches, rings and the like. Mimesis (meaning to mimic or imitate), is a perfect one-word summary of their creative inspirations and helps define the conversation between their work over the years. The individual lines of work stand alone with clear material polarity. They however borrow certain motifs inherent to their abstracted ideations rooted in biology and natural elements.</p><p>Through our own physical reflection, we are presented with a flipped perspective on a familiar and known image. This type of mirroring can be observed in the paired styles of the artists’ works: glossy, amorphous, and prismatic; matte, achromatic, and structured. The same characteristics however remain integral and constant: repetitive pattern, arduous detail, and the uncanny attraction to something that looks memorable. Each artist pulls from natural wonders in our world to fabricate a small token for adornment.</p><p><br></p><p><br></p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/15/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Art Exhibit: Rhythm in Bloom
<p>Gilded Pear Gallery is delighted to present <em>Rhythm in Bloom</em>, a solo exhibition of recent abstract artworks by beloved Cedar Rapids artist, Ann Royer.</p><p><br></p><p>Ann Royer is a multidisciplinary artist with more than 60 years of artmaking experience. Among her wide repertoire, Royer’s abstracts are best known for growing tendril lines, sweeping bold blocks of color, voluminous shapes filled with patterns, and sharp geometry. She says of her work, “I have always thought each person looks at art bringing with them their own experiences, which governs what they see.” Although, her inspirations do not directly link to instrumentation, <em>Rhythm in Bloom</em> is a curated collection of artworks that evokes parallels to music and pay homage to spring growth. </p><p><br></p><p>Royer’s studio is filled with the sound of symphony; more often than not, the classical radio station is playing. Intertwined is the experience of viewing the artworks and listening to the harmony surrounding them. They are inseparable in that moment, and it is difficult not to ‘see’ the music after its life begins in a gallery setting.</p><p><br></p><p>While some compositions feel like compression or expansion of a staff of notes, others appear to visually represent free jazz. It’s fun to imagine melodic monochromatics and tapered stripes acting as staccato, creating space for a key change from warm to cool. The violin plays the tendril lines, the brass section punctuates with bold blocks of color. These energetic forms incidentally create shapes that blossom with the appearance of dancing. All the pieces themselves exude a spring-like aura of new growth with luminous colors. Artworks presented in this exhibition are paintings on canvas as well as sculptures in bronze.</p><p><br></p><p><br></p><p>Gilded Pear Gallery is located at 808 Third Avenue SE, Cedar Rapids, IA 52403. For hours and more information visit <a href="http://www.gildedpeargallery.com">http://www.gildedpeargallery.com</a>–or- call: 319-366-0205</p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/15/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
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Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-04-15 20:00:00 -0500
4/15/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Grant Wood Revealed: Rarely Seen Works by an American Master
<p>Launching the CRMA's year-long celebration of the 175th anniversary of Iowa's statehood will be an unusual look at Iowa’s most famous artist, Grant Wood. While known for his iconic American Gothic (Art Institute of Chicago) and other Regionalist works from his mature style, Grant Wood was constantly exploring styles, techniques, and media. This exhibition will bring together works from both the CRMA collection as well as from private collections to celebrate Wood’s inquisitive mind. Rarely-seen paintings will be joined by diverse metalwork pieces, drawings, and studies to construct a fuller view of Wood’s genius.</p> 2021-04-15 20:00:00 -0500
4/15/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Welcome Club Book Group
<p>The Welcome Club Book Group of Greater Cedar Rapids will meet virtually to discuss "The Dutch House" by Ann Patchett. All you welcome to join the discussion by zoom call. For more information email the club at wwc_cr@yahoo.com or go online to www. welcomeclubcr.com. </p> 2021-04-07 11:00:00 -05004/16/2110:00 a.m.Welcome Club of Greater Cedar RapidsCedar Rapids -
Art Exhibit: Polyphonous 2021-Mimetic Lives II
<p>Gilded Pear Gallery is thrilled to present an inaugural concurrent exhibition, <em>Polyphonous 2021: Mimetic Lives II</em>, a 2-person display of new jewelry works by local artists, Satomi Kawai and Jillian Moore.</p><p>The collective, Polyphonous, was founded by Professor Jivan Astfalck, Rachel Darbourne and Laura Bradshaw-Heap, loosely grouped through connections at the School of Jewellery in Birmingham, England, but members are from multiple countries- including U.S. based artists Satomi Kawai and Jillian Moore. Established in 2018, Polyphonous was formed in collaboration with Studio Gabi Green in Munich’s West End with the intent to drive visitors to a localized hive during Munich Jewellery Week; one of many prominent features of the program. Both in the wake and the midst of the COVID-19 pandemic, 2021 has offered the opportunity to safely connect with the most renowned European jewellery event from across the globe, online, and in print with Current Obsession. Artists and venues throughout the world unravel the dilemma to present significant and innovative displays of work in the field of contemporary jewelry at mass scale. This exhibition effectively serves as an in-person experience for the residents of the American Midwest and links virtually to other physical and virtual celebrations around the world.</p><p>In 2006, Kawai and Moore exhibited “Mimetic of Life”, a display of graduate work from the University of Iowa’s Fine Arts program. That show, unknowingly, initiated a long-standing partnership of presenting work together. This marks a 15th anniversary for the two, in a way, and reunites them in an exclusively shared exhibition for the first time in more than a decade. “Mimetic Lives II” portrays the artists’ unique parallels in jewelry fashion form: earrings, brooches, rings and the like. Mimesis (meaning to mimic or imitate), is a perfect one-word summary of their creative inspirations and helps define the conversation between their work over the years. The individual lines of work stand alone with clear material polarity. They however borrow certain motifs inherent to their abstracted ideations rooted in biology and natural elements.</p><p>Through our own physical reflection, we are presented with a flipped perspective on a familiar and known image. This type of mirroring can be observed in the paired styles of the artists’ works: glossy, amorphous, and prismatic; matte, achromatic, and structured. The same characteristics however remain integral and constant: repetitive pattern, arduous detail, and the uncanny attraction to something that looks memorable. Each artist pulls from natural wonders in our world to fabricate a small token for adornment.</p><p><br></p><p><br></p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/16/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Art Exhibit: Rhythm in Bloom
<p>Gilded Pear Gallery is delighted to present <em>Rhythm in Bloom</em>, a solo exhibition of recent abstract artworks by beloved Cedar Rapids artist, Ann Royer.</p><p><br></p><p>Ann Royer is a multidisciplinary artist with more than 60 years of artmaking experience. Among her wide repertoire, Royer’s abstracts are best known for growing tendril lines, sweeping bold blocks of color, voluminous shapes filled with patterns, and sharp geometry. She says of her work, “I have always thought each person looks at art bringing with them their own experiences, which governs what they see.” Although, her inspirations do not directly link to instrumentation, <em>Rhythm in Bloom</em> is a curated collection of artworks that evokes parallels to music and pay homage to spring growth. </p><p><br></p><p>Royer’s studio is filled with the sound of symphony; more often than not, the classical radio station is playing. Intertwined is the experience of viewing the artworks and listening to the harmony surrounding them. They are inseparable in that moment, and it is difficult not to ‘see’ the music after its life begins in a gallery setting.</p><p><br></p><p>While some compositions feel like compression or expansion of a staff of notes, others appear to visually represent free jazz. It’s fun to imagine melodic monochromatics and tapered stripes acting as staccato, creating space for a key change from warm to cool. The violin plays the tendril lines, the brass section punctuates with bold blocks of color. These energetic forms incidentally create shapes that blossom with the appearance of dancing. All the pieces themselves exude a spring-like aura of new growth with luminous colors. Artworks presented in this exhibition are paintings on canvas as well as sculptures in bronze.</p><p><br></p><p><br></p><p>Gilded Pear Gallery is located at 808 Third Avenue SE, Cedar Rapids, IA 52403. For hours and more information visit <a href="http://www.gildedpeargallery.com">http://www.gildedpeargallery.com</a>–or- call: 319-366-0205</p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/16/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-04-16 16:00:00 -0500
4/16/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Grant Wood Revealed: Rarely Seen Works by an American Master
<p>Launching the CRMA's year-long celebration of the 175th anniversary of Iowa's statehood will be an unusual look at Iowa’s most famous artist, Grant Wood. While known for his iconic American Gothic (Art Institute of Chicago) and other Regionalist works from his mature style, Grant Wood was constantly exploring styles, techniques, and media. This exhibition will bring together works from both the CRMA collection as well as from private collections to celebrate Wood’s inquisitive mind. Rarely-seen paintings will be joined by diverse metalwork pieces, drawings, and studies to construct a fuller view of Wood’s genius.</p> 2021-04-16 16:00:00 -0500
4/16/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Fleacon 17
<p>Fleacon 17 scale model show and contest will be held from 8 am to 4 pm Saturday April 17 at the Berndes Center in Monticello, Iowa. Featuring scale plastic model displays by modelers throughout the Midwest, the show will have 11 different scale model categories. They include aircraft, armor, ships, figures, automobiles/trucks, dioramas, sci-fi and real space, juniors and miscellaneous. Vendors will be on hand selling model kits and supplies and a food court will be on site. Due to the current COVID-19 pandemic, facemasks and/or face coverings are recommended for all attendees. Social distancing will also be encouraged during the show. Awards will be presented in the different categories and to those models representing the "best" in each category. Entry fee is $10 for scale modelers who wish to enter the contest, free for visitors. The show is presented by the Alexander Lippisch Chapter of the International Plastic Modelers Society/USA.</p><p><br></p> 2021-03-31 16:00:00 -0500
4/17/218:00 a.m.Monticello Berndes CenterMonticello -
Art Exhibit: Polyphonous 2021-Mimetic Lives II
<p>Gilded Pear Gallery is thrilled to present an inaugural concurrent exhibition, <em>Polyphonous 2021: Mimetic Lives II</em>, a 2-person display of new jewelry works by local artists, Satomi Kawai and Jillian Moore.</p><p>The collective, Polyphonous, was founded by Professor Jivan Astfalck, Rachel Darbourne and Laura Bradshaw-Heap, loosely grouped through connections at the School of Jewellery in Birmingham, England, but members are from multiple countries- including U.S. based artists Satomi Kawai and Jillian Moore. Established in 2018, Polyphonous was formed in collaboration with Studio Gabi Green in Munich’s West End with the intent to drive visitors to a localized hive during Munich Jewellery Week; one of many prominent features of the program. Both in the wake and the midst of the COVID-19 pandemic, 2021 has offered the opportunity to safely connect with the most renowned European jewellery event from across the globe, online, and in print with Current Obsession. Artists and venues throughout the world unravel the dilemma to present significant and innovative displays of work in the field of contemporary jewelry at mass scale. This exhibition effectively serves as an in-person experience for the residents of the American Midwest and links virtually to other physical and virtual celebrations around the world.</p><p>In 2006, Kawai and Moore exhibited “Mimetic of Life”, a display of graduate work from the University of Iowa’s Fine Arts program. That show, unknowingly, initiated a long-standing partnership of presenting work together. This marks a 15th anniversary for the two, in a way, and reunites them in an exclusively shared exhibition for the first time in more than a decade. “Mimetic Lives II” portrays the artists’ unique parallels in jewelry fashion form: earrings, brooches, rings and the like. Mimesis (meaning to mimic or imitate), is a perfect one-word summary of their creative inspirations and helps define the conversation between their work over the years. The individual lines of work stand alone with clear material polarity. They however borrow certain motifs inherent to their abstracted ideations rooted in biology and natural elements.</p><p>Through our own physical reflection, we are presented with a flipped perspective on a familiar and known image. This type of mirroring can be observed in the paired styles of the artists’ works: glossy, amorphous, and prismatic; matte, achromatic, and structured. The same characteristics however remain integral and constant: repetitive pattern, arduous detail, and the uncanny attraction to something that looks memorable. Each artist pulls from natural wonders in our world to fabricate a small token for adornment.</p><p><br></p><p><br></p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/17/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Art Exhibit: Rhythm in Bloom
<p>Gilded Pear Gallery is delighted to present <em>Rhythm in Bloom</em>, a solo exhibition of recent abstract artworks by beloved Cedar Rapids artist, Ann Royer.</p><p><br></p><p>Ann Royer is a multidisciplinary artist with more than 60 years of artmaking experience. Among her wide repertoire, Royer’s abstracts are best known for growing tendril lines, sweeping bold blocks of color, voluminous shapes filled with patterns, and sharp geometry. She says of her work, “I have always thought each person looks at art bringing with them their own experiences, which governs what they see.” Although, her inspirations do not directly link to instrumentation, <em>Rhythm in Bloom</em> is a curated collection of artworks that evokes parallels to music and pay homage to spring growth. </p><p><br></p><p>Royer’s studio is filled with the sound of symphony; more often than not, the classical radio station is playing. Intertwined is the experience of viewing the artworks and listening to the harmony surrounding them. They are inseparable in that moment, and it is difficult not to ‘see’ the music after its life begins in a gallery setting.</p><p><br></p><p>While some compositions feel like compression or expansion of a staff of notes, others appear to visually represent free jazz. It’s fun to imagine melodic monochromatics and tapered stripes acting as staccato, creating space for a key change from warm to cool. The violin plays the tendril lines, the brass section punctuates with bold blocks of color. These energetic forms incidentally create shapes that blossom with the appearance of dancing. All the pieces themselves exude a spring-like aura of new growth with luminous colors. Artworks presented in this exhibition are paintings on canvas as well as sculptures in bronze.</p><p><br></p><p><br></p><p>Gilded Pear Gallery is located at 808 Third Avenue SE, Cedar Rapids, IA 52403. For hours and more information visit <a href="http://www.gildedpeargallery.com">http://www.gildedpeargallery.com</a>–or- call: 319-366-0205</p><p><br></p><p><strong>Gallery operations during the COVID-19 pandemic:</strong></p><p>Private viewing appointments can be made by contacting the gallery via email or phone. Gallery hours during this time are Monday-Friday 10:00am-5:00pm, Saturday 10:00am-2:00pm, and CLOSED on Sunday- appointments for services are preferred<strong>. The gallery requires that all persons visiting be masked. </strong>A limited parking lot is available with 1 handicap space. On street parking is available on 3<sup>rd</sup> Avenue and 8<sup>th</sup> Street- non-metered. The MedQuarter features protected bike lanes and bicycle “parking” can be found on the opposite side of the building by the Pocket Park on 3<sup>rd </sup>and 8<sup>th</sup>.<strong> There are no admission fees for private viewings or virtual receptions.</strong></p>
4/17/2110:00 a.m.Gilded Pear GalleryCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and to paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-04-17 16:00:00 -0500
4/17/2110:00 a.m.Cedar Rapids Museum of ArtCedar Rapids -
Cedar Rapids Area Genealogy Library
<p>The Cedar Rapids Area Genealogy Library is open for visitors on Saturdays from 10:00 am until 4:00 PM. Research your family tree with the help of library volunteers. Appointments for visits during the week can be made by calling (319) 369-0022.</p> 2021-04-17 16:00:00 -0500
4/17/2110:00 a.m.Cedar Rapids Area Genealogy LibraryCedar Rapids -
Braiding Sweetgrass Walking Book Club
<p>Join us for a walking book club discussion of Braiding Sweetgrass by Robin Wall Kimmerer. While this event is free, we ask that anyone wishing to participate register so we can ensure we have enough discussion leaders to maintain proper social distancing.</p><p>This event is sponsored by Swamp Fox Bookstore, the Marion Public Library and Marion Parks & Recreation to foster a discussion about our connection to nature and how we can restore our community after last year's devastating derecho.</p><p>You can check out copies of Braiding Sweetgrass from the Marion Public Library or purchase a copy of the book (both hardcover and paperbacks available) from Swamp Fox Bookstore.</p><p>All participants must wear a mask and maintain social distancing guidelines. Depending on the weather, you may wish to bring water, bug spray, or sunscreen. You are encouraged to wear comfortable shoes.</p> 2021-03-02 15:00:00 -0600
4/17/212:00 p.m.Lowe Park Arts & Environment CenterMarion -
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UI Dance presents Franklin + Madden Thesis Concert
<p><strong>Franklin + Madden Dance Thesis Concert</strong><br>Saturday, April 17 at 8:00 p.m. CST<br><a href="https://virtualdance.studio.uiowa.edu/" target="_blank">virtualdance.studio.uiowa.edu</a></p><p>This virtual concert will feature works by MFA candidates Laila J. Franklin and Jessica Madden.</p><p><em><strong>Space Cadet</strong></em><br>Direction, lead choreography, and performance by Laila J. Franklin<br>Performance and co-choreography by Jaki Bass and Ianka Hou<br>In my thesis project, <em>Space Cadet</em>, I am investigating black women and women of color’s slippery presence in performance through collaboratively devised solos. I am interested in the (in)visibility of lived experience and am curious about the residues of subjugation and erasure in the body. Through this process, I am working to activate a methodology of kinetic imagination that might serve in reorienting marginalized and oppressed bodies towards new possible futures: I am seeking to activate the body as a living and reflexive archive and a futuring medium. How might we consciously and strategically tap into our kinesthetically stored and sensation-based memories and present realities and allow them to be generative in our making? How might we support each other in a practice of re-visioning, orienting the knowledge stored within our bodies toward futures that serve ours and our communities’ greatest good? In this process, I employed black performance technologies from dance, music, and theater traditions, exploring the space these make for embodied knowledge – what viscerally felt and experience - to act as a primary source.</p><p><strong><em>Between the Waves</em></strong><br>Choreography and Direction by Jessica Madden<br>Choreography and performance by Danica Clayton, Erin Evans, Michael Landez, Juliet Remmers, Jensen Steinbronn<br>This work is an examination of empathy, grounded in themes of recovery and resilience. Looking to the body as a site of embodied memory and personal narrative, my goal has been to facilitate engagement with these embodied layers of experience, and to draw upon them as a primary source of movement generation. Recovery is generally thought of as a return to normalcy, but after engaging in this area of research, my question has become: what is “normal,” especially when the event in question leaves one’s self or situation permanently altered? As Bessel van der Kolk points out, in his book The Body Keeps The Score: Brain, Mind, and Body in the Healing of Trauma: ". . . what has happened cannot be undone. But what can be delt with are the imprints of the trauma on body, mind, and soul . . . The challenge of recovery is to reestablish ownership of your body and your mind – of your self" (205). As humans, we carry the imprints of our experience and memories around with us, and recovery cannot begin to take place until we begin to grapple with, and learn how to own and carry them in a way that allows us to heal and move forward. While it is not my intention, nor my qualification, to serve as therapist or counselor in this environment, my hope has been to create space for self-directed introspection and processing within this creative research process.</p><p>Join us at <a href="https://virtualdance.studio.uiowa.edu/">virtualdance.studio.uiowa.edu </a>for this free performance. Tickets are not required.</p><p>Individuals with disabilities are encouraged to attend all University of Iowa-sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact the Department of Dance in advance at 319-335-2228.</p>
4/17/218:00 p.m.University of Iowa Department of DanceIowa City -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-04-18 16:00:00 -0500
4/18/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Grant Wood Revealed: Rarely Seen Works by an American Master
<p>Launching the CRMA's year-long celebration of the 175th anniversary of Iowa's statehood will be an unusual look at Iowa’s most famous artist, Grant Wood. While known for his iconic American Gothic (Art Institute of Chicago) and other Regionalist works from his mature style, Grant Wood was constantly exploring styles, techniques, and media. This exhibition will bring together works from both the CRMA collection as well as from private collections to celebrate Wood’s inquisitive mind. Rarely-seen paintings will be joined by diverse metalwork pieces, drawings, and studies to construct a fuller view of Wood’s genius.</p> 2021-04-18 16:00:00 -0500
4/18/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Americans in Paris: Grant Wood and Marvin Cone's 1920 Trip to Paris
<p>For three months in the summer of 1920, Grant Wood and his best friend Marvin Cone traveled to Paris to see great art, soak up the sights, and paint. This brief sojourn proved to be pivotal for both artists, enhancing their nascent interest in Impressionism and painting en plein air. While each artist discontinued painting in this style beyond the early 1930s, this trip to Paris (Wood’s first trip abroad, Cone’s second) was critical to their development. What the artists did, saw, and painted is carefully outlined in Cone’s meticulous and well-written diary of the trip, including where the artists painted on which days. As such, this diary enables the ability to date certain works to the precise date of creation. It also allows viewers to see how each artist depicted the same scene, often in very different terms.</p> 2021-04-20 16:00:00 -0500
4/20/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids -
Grant Wood Revealed: Rarely Seen Works by an American Master
<p>Launching the CRMA's year-long celebration of the 175th anniversary of Iowa's statehood will be an unusual look at Iowa’s most famous artist, Grant Wood. While known for his iconic American Gothic (Art Institute of Chicago) and other Regionalist works from his mature style, Grant Wood was constantly exploring styles, techniques, and media. This exhibition will bring together works from both the CRMA collection as well as from private collections to celebrate Wood’s inquisitive mind. Rarely-seen paintings will be joined by diverse metalwork pieces, drawings, and studies to construct a fuller view of Wood’s genius.</p> 2021-04-20 16:00:00 -0500
4/20/2112:00 p.m.Cedar Rapids Museum of ArtCedar Rapids